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ARTIST STATEMENT I see my paintings from two different perspectives. First, the art of creating vivid, enjoyable works on canvas. Second, the art of communicating with my horses. It's tempting to call what I do animal art, but I see it as a collaboration. I view myself as the conductor and my horses as the orchestra or engine behind what I do. I think of my style as "interspecies collaborative action painting." As the artist, I prepare the canvas, design and make the brushes and envision the color palette. The horses provide the action. I take that action and shape it based on their mood and stroke style at the moment. I believe this meets a deep need for both of us. My desire is to create large, unpredictable, random works on canvas. The horses have a built-in need to manipulate their environment. It then becomes our combined expression that creates the paintings. |
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Large Paintings |
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![]() Field of Lilies With Romeo |
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![]() Soul Mates With Juliet |
![]() Gently Down the Stream With Romeo |
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![]() Rainflower With Romeo |
![]() Zen Again With Juliet |
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Mid-size Paintings |
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![]() Self Portrait With Juliet |
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Sold Paintings
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![]() Joie de Vivre (Joy of Living) With Romeo |
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![]() Learning to Fly With Romeo |
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![]() Snake Fight With Romeo |
![]() Day at the Lake With DaVinci |
![]() Dove Chocolate With Romeo |
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![]() Madras With Romeo |
![]() Birds of Winter With Romeo |
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![]() Herd of Flowers With Romeo |
![]() Dreamtime With DaVinci |
![]() Dance of the Blue Horse With Raleigh |
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Paintings are documented with either still photographs or videotape taken during the process and come with either an 8x10 print (sample at right) or an edited DVD (sample and preview below).
Additional segments on the DVD include, Meet Romeo/Juliet/DaVinci/Raleigh, Painting Preparation and Interview with artist Cheryl Ward. Average running time, 13 minutes.
H How do you get a horse to sign its name? I started by painting the sole of Romeo's hoof with water-based paint and had him step on a piece of white paper. We took that image, shrunk it down in size, and made it into a rubber stamp. Ditto for Juliet, DaVinci and Raleigh. Each painting is stamped on the back of the painting with the hoof print of the painter. |
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© 2004-2007 Cheryl Ward
& Sam Sharnik |